THIS YEAR, New York Times editors Amisha Padnani and Jessica Bennett launched the revisionist history project “Overlooked,” a section that runs obituaries for historical figures who, at the time of their deaths, did not receive them because of their race or gender. It now has over a dozen obituaries, almost exclusively of women, including Sylvia Plath, Diane Arbus, and Marsha P. Johnson. The fact that most of these names are now commonplace, but at the time of their deaths in 1963, 1971, and 1992, respectively, they were not given their due, speaks to the historically undervalued accomplishments or simple humanity of women. Karen Green’s Frail Sister fits squarely within this. It documents the life of 1940s woman Constance Gale, a fictional character modeled on Green’s own aunt who went missing. Her story is told visually, with fragments pieced together from her life’s detritus — photographs of Connie and her family, scraps of paper with typewritten letters, newspaper clippings, and ...